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— Gottfried Jäger

(1937, Burg bei Magdeburg, DE) studied at the Staatliche Höhere Fachschule für Photographie, Cologne. 1960–1972 taught at the Werkkunstschule in Bielefeld. 1973–2002 professor at the Fachhochschule Bielefeld. He lives in Bielefeld, DE.
Exhib.: 1968, Generative Fotografie, Städtisches Kunsthaus, Bielefeld. 1968, Some More Beginnings, Brooklyn Museum, New York. 1969, Auf dem Wege zur Computergrafik, uBu, Karlsruhe. 
Lit.: Herbert W. Franke and G. J., Apparative Kunst. Vom Kaleidoskop zum Computer, Cologne, 1973. G. J. and Karl Martin Holzhäuser, Generative Fotografie. Theoretische Grundlegung, Kompendium und Beispiele einer fotografischen Bildgestaltung, Ravensburg, 1975.

— Raimer Jochims

(1935, Kiel, DE), self-taught painter, studied philosophy, art history, and archaeology at the University of Munich (1955–1957 and 1965–1968, Ph.D. on Konrad Fiedler). 1967–1968 teaching assignment at the Staatliche Akademie der Bildenden Künste Karlsruhe and 1968–1971 at the Akademie der Bildenden Künste München, Munich. 1971–1997 professor at the Staatliche Hochschule für Bildende Künste (Städelschule) in Frankfurt am Main. He lives in Maintal, DE.
Exhib.: 1968, Venice Biennale.
Lit.: R. J., Der Begriff der Erkenntnis in der Kunsttheorie Konrad Fiedlers, Munich, 1968. R. J., Identitätstexte 1962–1973, Munich, 1973.

— Sture Johannesson

(1935, Vinslov, SE) is a self-taught artist and, worked in the graphic arts (1955–1959) and as a photographer (1959–1961). 1970–1974 collaboration with Sten Kallin, IBM, on computer graphics experiments, the “Intra Secus” project. 1978–1985 collaboration with Ann-Charlotte Johannesson on “The Digital Theater” project, the first Apple II-based microcomputer graphics studio in Scandinavia. 1986–1998 collaboration with Sten Kallin on the EPICS Project (Exploring Picture Space). He lives in Skanör, SE.
Exhib.: 1973, Circuit, Bloomfield Art Association, Birmingham, MI, USA.
Lit.: S. J. and Sten Kallin, Computed Art. Beraeknad Konst, Intra Secus, Malmö, 1974.